No plugins: The main plugin we’re missing is related to accessibility (Stark) but there are browser tools that accomplish the same thing. Plus Figma’s Zeplin integration should be enough for devs resistant to change. fig files but the iterative nature of product design does mean ‘final’ files are less important. No Sketch files: Clients like owning files. It does have a downloadable app that is essentially just a wrapper but might ease the transition. Useful client collaboration.įigma is in-browser: this takes some getting used to, but it’s just as fast, if not faster than Sketch once a file is loaded. I’m not talking design-over-your-shoulder feedback here, that’s horrible-it’s more about fostering useful conversation in the early stages of a project. The feedback loop is so much smaller, and it provides the client with a greater sense of ownership. you don’t need additional tools to prototypeĭuring ideation phases, we’ve had one team member making small changes while another team member presents to the client… live. there is no back and forth with commits etc, versioning just works in the background.there is no exporting, you just hop on a call and share a view-only link, the client’s cursor follows where you are on screen as you discuss and present.Prototyping (basic but powerful), commenting (basic but useful) and versioning is built-in. Present to the client using InVision Freehand or screen-share over Skype or appear.in.
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Weighing between 9g, depending on size – more heavier than the Allied helmets, but giving a better protection to the face, ears and neck. Steel Helmet M16 / Stahlhelm M.16: This helmet, which first entered service in 1916 during the initial stages of the battle of Verdun was designed by Professor Friedrich Schwerd and made from high quality chrome-nickel steel. Through constant use the containers became dented. There was no room for the reserve filter in the container. Troops serving in the frontline area often wore it in the alert position in front of the chest. Gas Mask Container / Gasmaske M1917: The gas mask was kept in a metal container, which had a brown cloth strap. Colour: canvas holder – light grey- brown, number – dark coloured stamp colour – could have been black (on the original items these numbers are quite faded), filter tin – grey-green. On the model, part of the flap has lifted to reveal one side of the metal tin containing the spare filter. 2 at one end of the holder is the gas mask size and this has been modelled slightly raised to enable easier painting. Although generally used in the early part of the war, late war photos still show troops issued with this holder. Later versions of the holder had ring attachments on each of the belt loops enabling the fixing to the bread bag. The holder was generally worn either attached to the belt below the rucksack at the rear, or on the right side / front by means of 2 belt loops made from the same material and fastened with zinc buttons. The mask has been so constructed so as to fit over the face of the heads supplied in the set, although slight alterations maybe needed at the end of the nose.Ĭanvas Gas Mask Holder / Segeltuchtasche für Gasmaske : In 1915 a canvas gas mask holder was issued with 2 dividing partitions within, which stowed the mask, filter and reserve-filter in a metal tin. 3, half head, enabling the wearing of a steel helmet – of cause most masks would have been worn in conjunction with the steel helmet.Ī light material strap was used to enable the mask to hang around the neck when not in use, whenever danger of gas was imminent – this can be made out of thin card supplied, paper or something similar and glued into the small indents each side (inside) of the mask. These are to be inserted to the inside of the masks before fixing to the face.ģ heads have been supplied with the mask: Head No. Filter and filter/fitting – grey-green.Īlso supplied are the 3 sets of computer cut eyepieces in 0.25 mm plexi glass. The outer seal (nearest to face) appears always darker. Colour: original masks differ in colour from light to dark leather. The position of the straps around the side and rear of head have been copied from a collector wearing an original mask, as few original photos exist where no headdress is worn. The filter can after the excess resin / casting-canal are removed be screwed onto the mask just like on the original. The cord on the front of the mask could be shortened, lifting the filter, thus enabling a better vision for wearer – this was optional and left for the individual to decide. The first part of the straps were part rubberised (reinforced with wire) and part cloth. The protruding metal rings on the outside of the eyepieces protected the glass from scratches. These were set at an angle with a larger gap in between, avoiding earlier blind spots each side of the head. Apart from the new cone appearance, the important difference over the previous mask was the position of the eyepieces. The fixed celluloid glass eye pieces were coated with gelatine on the inside to avoid misting up, which in turn was protected by a metal Spinne, or spider metal frame to also avoid scratching / smearing – these could be removed for cleaning etc. The mask incorporated only 3 seams in the material, an overall improvement from the M.15 mask reducing the risk of leakage. 15 ( Linienmaske), made out of sheep leather and impregnated with special gas proofing oils. 17 / Ledermaske (Gasmaske M.17): The replacement mask for the Gasmaske M. Steel Helmet with Sandbag Covering / Stahlhelm M.16 mit ÜberzugĮxtracts from the Infosheet with this kit:.Gas Mask Container / Gasmasken-Behälter M1917 (Bereitschaftsbüchse 17).Canvas Gas Mask Holder / Segeltuchtasche für Gasmaske.3 x Heads (Half, Full and with Field Cap M1910) / 3 Köpfe (halb, voll und mit Feldmütze). We were comfortable there, plus there were two titty bars next door. “We adapted our rehearsal room, bringing in a portable board, a kind of forerunner of today’s ProTools set-up. It was a shock and, at first, it was suggested that I produce the record, but then we decided that we would all produce it with Bruce. He’d just made an LP with Janis Joplin, and possibly he thought The Doors were going downhill and there were better pastures for him. He was bored and said, ‘“Riders On The Storm” was like cocktail music.’ I didn’t know what to make of that. “As normal, we played the songs to Paul Rothchild and he just didn’t dig it. It’s not something a bass player would come up with – it has more of a jazzy melody to it. When we recorded it, Jerry Scheff, the bass player, just played what Ray was playing with his left hand and that’s why it’s so distinctive. Robby Krieger (guitars): “We were playing ‘Ghost Riders In The Sky’ and Jim was fooling around and came up with ‘Ghost Riders On The Storm’. I love the sound of The Doors – I can become an outsider now and think to myself, that is one tight motherfucking band.” Jim had a great mind and when we were starting out, he said that in that year we had a great visitation of energy and that year for us lasted from 1966 until 1971. Every Doors song has its own spirituality, its own existential moment. Fast, hard and rocking, but cool and dark, too. Viewing it from the outside, you can put a neat little bow on it and see it as our last performance, but for us we were just playing our butts off. How prophetic is that? A whisper fading away into eternity, where he is now. “It was the last song recorded by The Doors and the whisper voice is the last singing that Jim ever did in the studio, in the background on the ride out. It gives the song a different perspective. The last verse: ‘Your world on him depends/Our life will never end/You gotta love your man.’ It becomes a very spiritual song you won’t still occupy this body, but the essential life will never end, and love is the answer to all things. Interestingly, Jim was pulled in two directions – he didn’t want to complete the song just about a killer hitchhiker. In essence, it was a very filmic song about a serial killer – way ahead of his time in 1970. Serial killers are all the rage now, but in America they go back to Billy The Kid. Jim already had the story about a killer hitchhiker on the road. I proposed the bassline and piano part the jazzy style was my idea. Ray Manzarek (keyboards): “Robby and Jim were playing, jamming something out of ‘Ghost Riders In The Sky’. Today, Densmore is pragmatic about what might have been: “Either Jim would be a drunk playing blues in a club, or a vibrant, creative artist, clean and sober like Eric Clapton.” As it was, released shortly after the singer’s death, “Riders On The Storm” would become his haunted, mesmerising swansong. In the weeks before Morrison died on July 3, 1971, he intimated to John Densmore that he would soon be ready to record again. LA Woman was released in June and it quelled any doubts that The Doors were a spent force. They began mixing the following March but, even before completion, Morrison had re-located to Paris. The decision to record in their own two-storey workshop rather than a hired studio also re-energised the band, and they wrapped the entire LP in five days. The Doors then elected to produce the album themselves, with help from regular engineer Bruce Botnick. The band fell out with their long-term producer, Paul Rothchild, who quit two weeks in, unwilling to go another six rounds with an increasingly drunken, unpredictable singer. The LA Woman sessions began badly in November 1970. The final track on the final Doors album, its irrepressibly maudlin lyric would serve as their singer’s sultry, rain-washed epitaph. But LA Woman was the LP that pulled them back from the brink, breaking new ground with its mesmerising seven-minute epic, “Riders On The Storm”. Jim Morrison was charged with indecent exposure in Miami in September, then apparently suffered a breakdown at the band’s last ever show in New Orleans. Their tour at the end of 1970 had been disastrous. By the time The Doors came to make their sixth and final studio album, LA Woman, they were close to collapse. GitHub - aubreypwd/localwp-tableplus: Local ⚡️ Addon for launching TablePlus (MacOS only) to view databases. Local ⚡️ Addon for launching TablePlus (MacOS only) to view databases. In particular, the TablePlus addon seems to function in a similar manner to what you are trying to do with Sequel Pro, so you might consider reviewing that add-on’s repo: GitHub - aubreypwd/localwp-tableplus: Local ⚡️ Addon for launching TablePlus. Last universal scholar, most important design teacher of the 20th century: There are superlatives, always very enthusiastic, when the importance of Max Bill is discussed. As the latest stable version of Sequel Pro ( v1.1.2) was released in April of 2016 and has become broken for many users, the Local team has had to field many support questions around users being confused about why Local encourages the use of broken software.Īs you mention, the nightly build of Sequel Pro does work, and the maintainer of Sequel Pro has said that they are working on the project.Īt the end of the day, if having a one-click connection to a Local site in Sequel Pro interests you, I encourage you to explore creating an add-on! Sequel Rounded is a post-Max Bill font, developed in close cooperation with the Max Bill Georges Vantongerloo foundation in Switzerland. Sequel Pro is unique in that it was included a long time ago, before a Local add-on was even an option. This allows us to deliver a leaner, more stable core Local experience that can be extended by developers through the use of Add-ons. Removing Sequel pro is part of a larger effort of the Local team to streamline and simplify the third-party tooling that we encourage users to use. I’ve moved this topic to the “Local Add-ons” category to help focus the conversation on possible ways that this functionality can be returned! Thanks for reaching out about Local and Sequel Pro, and I’m sorry that this has interrupted your workflow! Hey Welcome to the Local Community Forums! This cookie is set by GDPR Cookie Consent plugin. These cookies ensure basic functionalities and security features of the website, anonymously. 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While not all Google Cardboard-style headsets are easily portable, the most portable headsets are Google Cardboards. And you’ll generally get lower-quality, laggier performance than on the Gear VR or a high-end headset. The downside is that especially if your phone is a couple of years old, there’s no guarantee it can handle Google Cardboard apps well. Apple has mostly ignored virtual reality so far, so there’s no telling when the iPhone might get a high-quality mobile experience like that of a Gear VR. It’s also great for any iPhone users, even if Google tends to delay pushing new Cardboard features to the iOS version of apps like YouTube. This is good for anyone who doesn’t want to upgrade to a brand-new device. More than two-thirds of American adults own a smartphone, and that’s all you need to use Google Cardboard. Google Cardboards can be made from plastic or even aluminum Customizations and special materials can drive up the price, but they're mostly in the $20 to $30 range, including models made of more durable plastic. Beyond that, Google’s site links to several Cardboard-compatible options from companies like Dodocase and Knox Labs. Google recently started selling basic Cardboards for $15 apiece. You can also order some cardboard and plastic lenses, print a pattern from Google’s site, and make your own. A lot of companies partner with Google or other manufacturers to make branded headsets, like Verizon’s Star Wars Cardboard giveaway. Up-front price CheapĮspecially if you go to tech-oriented conventions or live in a major city, you can probably find a Google Cardboard for free. Cardboard boxes are unsurprisingly pretty uncomfortable, but even more ergonomic plastic versions like the Mattel View-Master are only fun to hold up for about five minutes at a time. And they’re not meant to be used for long periods of time - among other things, Google’s standard forbids head straps. But they offer limited interactivity, most suited for watching 360-degree video. Not all low-end headset makers follow them, but the most easily available sets are Cardboard-compatible, which means they’re guaranteed to work well with similarly certified Android and iOS VR apps.Ĭardboard-compatible headsets, some made of plastic or even aluminum, are easy to get. And Google only just started selling its own Cardboard sets - it's put most of its efforts toward a set of best practices that manufacturers can follow to get an official "Works with Google Cardboard" stamp of approval. Most people refer to this now as "Google Cardboard," but the idea was around for years before Google branded it. The absolute simplest form of virtual reality is made out of nothing but a pair of plastic magnifying lenses and a sheet of cardboard, using a standard smartphone as a screen. For something a little more concrete, there’s also a direct comparison chart for eight of the headsets we mention. Do you want to just get your feet wet with the simplest tools available? Are you holding out for the best possible experience? Or are you somewhere in between? It’s all laid out below. The biggest decision for most people will be picking between the three general classes of VR. But we can give you everything you’ll need to sort through the options: what you’ll be able to do in different kinds of virtual reality, how much you can expect to pay, and which features you should look for. It’s too early to even recommend specific products, given how many aren’t out yet. So if you’re looking into VR, what should you check out? There’s no one, specific device that’s right for each person in fact, once you get down to the cheapest headsets, there are way too many for us to name here. Unfortunately, this definition implies that all headsets are roughly equivalent - that a $30 Google Cardboard will do the same thing as an $800 HTC Vive.īut as VR headsets start appearing on store shelves, the very real differences between them will start to matter - a lot. Things have gotten simpler since then: outside a few special circumstances, we’re now almost always referring to things you see inside a VR headset like the Oculus Rift. If you go back to the 1990s and start reading about "virtual reality," you’ll quickly realize that the term could refer to anything from a full Lawnmower Man simulation system to a 3D model on a computer screen. Women, moreover, are more likely than men to be convicted of a drug offense: 26 percent of incarcerated women were convicted of a drug offense in 2018, compared to 13 percent of men, according to the Sentencing Project. While fewer women than men are incarcerated, the total number of women who have been arrested has increased by 25 percent over the past 35 years, while decreasing by 33 percent for men. For women, incarceration rates have risen exponentially in recent years. In 2010, for instance, nearly one-third of Black males ages 25 to 29 who dropped out of high school were incarcerated or institutionalized. When considering educational attainment, young men of color without a high school diploma, especially Black men, are most at risk of incarceration. According to the Sentencing Project, one in three Black males born in 2001 will be imprisoned at some point in their lives, compared to one in six Latinx men and one in 17 white men. This has resulted in the conviction and incarceration of disproportionate numbers of Black and Latinx people, especially Black men. Such exclusions are racist: they are grounded in stereotypes about who receives public assistance, and they are especially punitive for Black and Latinx communities due to the War on Drugs’ uneven enforcement of drug laws and targeting of communities of color with low incomes. Denying access to basic needs programs makes it harder for people with convictions to get back on their feet. Some individuals may also need child care and/or mental health and substance use disorder treatment. Successful reentry into society from the criminal justice system requires being able to meet basic needs such as food, health care, and housing as well as access to employment and training services. And all states and the District of Columbia except for one, South Carolina, have either modified or removed the ban for at least one program, recognizing that it is not an effective crime deterrent, fails to address substance use disorders, and impedes reconnecting formerly incarcerated people to their families and communities. States, however, can opt to remove or modify the ban. The act imposes a lifetime ban on SNAP and TANF for those with a previous drug felony conviction, whether they have completed their time in jail or prison or received a lighter sentence due to the nonviolent and/or low-level nature of the offense. This practice began in 1996 under the Personal Responsibility and Work Opportunity Reconciliation Act (PRWORA). Some states subject people with a drug-related felony conviction to restrictions or complete bans on food assistance under SNAP (Supplemental Nutrition Assistance Program, formerly food stamps), cash assistance through TANF (Temporary Assistance for Needy Families), or both. Individuals with prior felony convictions, incarcerated or not, often face “collateral consequences,” which are significant barriers imposed in addition to their sentences that can range from being denied employment to losing voting rights. Los Angeles Public Library Photo Collection The observatory was built during the Depression, when materials and labor were cheap and plentiful. In January 1931, the city and Griffith Trust hammered out the contract, with the Trust and the Parks Commission sharing responsibility for the project. This made a Los Angeles observatory with a planetarium (only the third in America, behind Chicago and Philadelphia) an even more exciting proposition. By 1930, the “bug eyed Planetarium,” which projected “the stars, sun, moon and other planets in miniature as they are seen in the heavens,” had been invented in Germany. In 1930, after many delays due to the complications of establishing the Griffith Trust, the city began a conversation with the trust about accepting the Observatory as a gift. When Griffith realized this, he decided to leave a bequest, eventually totaling $750,000, for the construction of a free “Hall of Science” and Observatory atop the peak of Mount Hollywood in Griffith Park. He offered the city $100,000 to build an observatory, but Griffith’s reputation was such that the city was not interested in taking more of his charity-at least not while he was alive. If all mankind could look through that telescope, it would revolutionize the world!” According to John Anson Ford, Griffith exclaimed, “Man’s sense of values ought to be revised. In 1912, inspired by a look into the heavens through the powerful telescope at the nearby Mount Wilson, Griffith became determined to build his own public observatory in Griffith Park. After his release from prison, Griffith remained an enormously wealthy man but had become a social pariah. The plain people, as well as the city’s elite, felt their admiration for Griffith turn to horror in 1903, when, drunk, he told his wife to kneel down and pray, and then shot her in the face. “A place of rest and relaxation for the masses, a resort for the rank and file, for the plain people.” Griffith’s path to the observatory began in 1896, when he donated 3,015 acres of the old Rancho Los Feliz to the city of Los Angeles to be used as a public park. Griffith was a brilliant businessman and philanthropist, but he is perhaps best known for the attempted murder of his wife. The opening of Griffith Observatory was the long-delayed triumph of a dead man. Today, in the words of restoration specialist Brenda Levin, who led the building’s restoration and expansion from 2002 through 2006 with architect Stephen Johnson, Griffith Observatory is “probably the most recognizable and beloved building in Los Angeles.”Ĭrowds watch a lunar eclipse on the balcony of Griffith Observatory in 1949. “This magnificent structure, not only will be of value to scientists, but its greatest attraction will be to the masses of other citizens who will now have an opportunity to see how the universe is constituted.” Shaw accepted the building from the Griffith Estate on behalf of the city. That night, a crowd of 500 of the city's elite, glittering like a “presidential ball,” watched as Mayor Frank L. Ashley and compared by one Los Angeles Times journalist to “the magic work of a genie,” that gates were constructed to keep away looky-loos who had been “interfering with the workmen” preparing the grounds for the opening on the fourteenth. So great was the curiosity surrounding the domed structure, designed by John C. For months, motorists on Los Feliz Boulevard had “glanced up at the pile of masonry that loomed larger and larger, day by day” on the slope of Mount Hollywood in Griffith Park and wondered when it would be finished. It's not like they don't ask me to go, they do, but I always refuse. My parents are usually out of town for the holidays to spend it with their friends anyways. On every holiday and special occasion, I invite their families here and they stay at our house for a whole week. They're both Mexican, and have been friends since they were teenagers and now they work together and live right next to each other. They are so sweet and kind, and they make us laugh with their stories.īertha is married and she has three kids, while Gina has two. Bertha and Gina sometimes even sit and eat and hang with us. And Gina, the other maid, she makes the best breakfast for us the next morning when my girls spend the night. I'm always alone in the house, so I can do whatever I want, most kids would throw parties everyday, but I'm not like most kids, I just invite over my friends and hang out.īertha, one of the maids, makes us our favorite foods and desserts. I see them more than I see my parents, hell, I even love them more than I love my parents. I was raised by them so they're practically my family. They're hardly home, so I usually hang out with the maids. I was just a mistake, as they always tell me when I do something wrong, or whenever they have the chance to actually look at my face. They never had any time to start a family, and they didn't want to either. My parents are one of the richest families in LA, they own a law firm, and they're always busy. My parents are going to freak out when they find out, but then again it's not because they love and care about me, it's because of their stupid reputation. I know I should tell him but I don't know how, I've never been in a situation like this before. I know what's wrong with me, but I can't tell them, I can't tell anyone, especially Katherine and Jane. Praise is essential to the survival of certain people but not of others.I have been like this for a few weeks now. Her hair is another aspect of her attractiveness that contributes to vitality. People often comment on how beautiful her eyes are. Skylar Vox has brown eyes and a really attractive appearance overall. Skylar Vox: Height, Weight, and Measurements Skylar Vox Height, Weight, and Measurements As of writing this article, not much is known about the mother of Skylar Vox neither her father nor boyfriend information is known. She provides no information or very little information about her family. 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